“Harry Potter and the Deathly Hallows: Part II”

DIRECTED BY: David Yates

STARRING: Daniel Radcliffe, Rupert Grint and Emma Watson

RATED: PG-13

SHOWING: Area theaters

Two hours. That’s how long it takes four-time “Harry Potter” director David Yates and series-long writer (minus “Order of the Phoenix”) Steve Kloves to conclude this visual manifesto of the international, 14-year-long literary phenomena all about “the boy who lived.”

To give some comparison, the finale’s slow-churning first half kept the projection reels spinning for roughly two and a half hours. Yates’ 2009 “Half-Blood Prince” treatment touted a two-hour and forty-minute runtime that likely left younger viewers with restless hands and feet, albeit engaged retinas. So this makes it all the more surprising that “Harry Potter and the Deathly Hallows: Part II” is not only the trimmest in the entire series but also the most satisfying since Alfonso Cuaron’s 2004 character-driven interpretation of “Harry Potter and the Prisoner of Azkaban.”

Last fall, many viewers may have left their multiplexes a bit bewildered. For those obsessed with the devilish details of JK Rowling’s exhaustingly dense universe, any canonic violations seemed forgiven with the previously announced reward (or perhaps two-ticket con) of a split finale. To what may have been no fault of their own, Yates’ and Kloves’ principal half was truly tiresome. On a do-or-die hunt to destroy the remaining remnants of Voldemort’s soul, Harry, Ron and Hermione traversed desolate expanse after desolate expanse. Similar to the frustrations shared by the stifled trio, it felt like nothing was being accomplished. The same cannot be said about “Part II.”

Unlike last fall’s primer, which danced from one hideaway locale to another, the last hurrah succeeds on its commitment to setting. Save the comparatively brief moments at the group’s beachfront safe house and the eye-catching heist deep in the caverns of the goblin-operated Gringotts Bank, the finale all unfolds amid the violent destruction of Hogwarts. While the billions of computer-generated pixels have culminated in the most astounding action sequences of the entire series, it’s the rosy and bruised faces of the Hogwarts students, faculty and staff that make this curtain call so endearing.

In hindsight, it is a bit jolting to recall the limited time that “Part I” allotted for the series’ vast ensemble. That’s why some of the most rewarding moments of Yates’ conclusion are the little things. Like watching Maggie Smith’s Professor McGonagall prepare the school’s defenses in an almost celebratory fashion. Or seeing Ron once again scoff at his perpetual third-wheel position in a room full of his peers. In this goodbye wave of a film, Kloves and Yates have found a pitch-perfect pacing that not only compels action toward unparalleled dramatic realms but also continually reiterates every beloved character quirk or eccentricity.

But no one’s going to this film to see Ron or Neville bumble and folly through scenes like it’s Year Five. JK Rowling concluded the series with one hell of a final bow, and each cast member is doing the same. Rupert Grint and Emma Watson abandon Ron and Hermione’s schoolyard lovebird quarrelling for unshakable chemistry. Alan Rickman’s all-too-brief performance as the tragically fallen Severus Snape stirs the same sort of remorseful anguish that Rowling doused on each reader four summers ago.

Yet, none of this explains the film’s ability to quicken the heart rate in a way the director has never done before. It’s not merely about the story’s maxed-out stakes. It’s about his ability to keep the lens focused on every mother, father, mentor and child who now stands unwavering in the face of death. Rowling’s story never downplayed the fatal stakes of this wizarding world war, but it has never resonated on screen in the same way that it does when Ron and Hermione watch Harry walk away to his death.

As is reiterated by the Rowling’s storybook ending, love prevails. But it’s hard to walk away with that sugarcoated sentiment. Much like the books, “Harry Potter and the Deathly Hallows: Part II” is about the highest risks of love and loss. While most in the muggle world will never have to face any similar kind of hellish fight, it’s hard not to be shaken by the deeply human relationships broken and built in the series’ last two hours. It’s even harder to not leave a bit fonder for those day-to-day bonds as the credits roll.

Rating: Three and a half out of four